Wednesday, April 16, 2014

Nazeing, Essex \ High Balling Wind


Alan: At the center of great commotion, a stillness.



Nazeing, Essex


The blackthorn
burst of white on black
scratching, scratching itself in the wind.

Towards the Lea,
on the sheltered south slope
below the copse,
bee skeps.

Near, through the gated hedge,
gleaming white
headstones.



Nancy: What else would a railroad man’s daughter compare the wind to?  It’s spring – the wind blows whoooee.



High Balling Wind


This wind’s traveling.  This wind’s moving
on a long grade.
If you could hop this wind
wouldn’t you fly . . .
But you can’t catch this wind.
It’s got a heavy load; it’s full of winter
and it’s headed out.

I heard that whistle, and I went out
to see.  Yes, this wind’s blowing
a clear track.  This wind’s blowing
stand aside, coming through . . .
No, you can’t catch this wind,
it’s wailing high ball,
right through town.  This is a freight train
wind; it makes my feet itch,
but I can’t catch it – stand back –
it’s high balling right through town.
Whoooee . . . stand aside, coming through,
this wind.

Wednesday, April 9, 2014

Old Men Talking \ The Bitter Herbs Of Spring


Alan: Growing up in a family of four brothers, suddenly losing the youngest left the rest of us adrift on a sea of what-ifs and never-will-be’s, incomplete futures and ever-questioned pasts.



Old Men Talking
                                      In memoriam, DLB


Under the ramada the old men sit,
in the shade, holding tall drinks.
Wearing broad-brimmed hats, they gather
each hot, still morning, clicking the ice and sipping
while the children dance in and out of the shade and sun –
the grandchildren or great-grandchildren, grand-nieces and -nephews
or great-grand-nieces and great-grand-nephews, it does not matter.
The children play; the men sip their drinks and talk.

In the shade of the ramada, gray-green in the deeper shade
of the great paloverde, the men look out
at the dusty heat and blink.  They talk quietly,
with pauses, with many relaxed silences,
finishing each others' thoughts,
nodding at the start of some old story
that may or may not be concluded.

I envision and envy us as these ancients,
creviced as the garden walls which surround the ramada.
We have long since transferred our faith to the young,
retreated to the telling and re-telling of
old stories.  Under the ramada
that you built, one person is missing
and that is the builder, which is why
however I think this or want it, the tales
are always yours.  We are left living your stories
in ways none of us could have foreseen or imagined.



Nancy: I often wonder how many Americans eat the foods of my early childhood.  My mother and grandmother ate the coarse corncakes and dandelion greens dressed in hot vinegar and appeared to like them.  If I ate one corncake and the greens, I might get a spoonful of molasses on the second cake.



The Bitter Herbs Of Spring


I reject the bitter herbs of spring,
the greens from Granny's basket,
ragged leaves dressed in hot vinegar.

Not mesclun, no, not oils from some
named grove, not raspberry vinaigrette.
Sharp toothed first green of the meadow.

I learned how to dig.  I learned mother
of vinegar.  I learned how to temper
bitter with corncakes fried in saved fats.

But then, when I dug alongside
Granny, when I crawled on stubble or
old meadow and dug . . . . .

then is not now.  Now that I am as
old as Methuselah, now that my no
is my no, I reject the bitter herbs of spring!

Wednesday, April 2, 2014

Tycho And Skeeter \ Beginning With A Word For Spring


Alan: The little dog – never as much as three pounds in weight – came into our lives unexpectedly and left unexpectedly, a victim of melamine-tainted dog food.  In between, he owned our house and hearts.



Tycho And Skeeter


The old dog
looks for the young dog
in all the best places –
around the corner of the room,
under the desk where we kept his crate,
the half-secret daytime
lying-up places
under the chairs –
so small
he must be somewhere.
Like me
missing something essential –
glasses, car keys –
he goes back
and back again
having no other choice.
Ten days
and he has not forgotten
even as, surely, the scent
fades and we, the strange
ones on two legs, who talk
and talk and sometimes
rub our eyes,
have given up
and have shown ourselves
less masterful
than we all supposed.



Nancy:  What sort of word would: the dumping of contaminated spoil on a coral reef – the opening of a dam to bring life to an estuary – the creation of harbors with atomic explosives – be?  Gender roles may have lost their rigidity, but are there still stone mindsets and green dream mindsets?



Beginning With A Word For Spring


With a great noise the ice broke and turned
and the water flowed.
This had happened before,
and because it had happened before,
it had a word.
Tonight at the fire, Walks With A Limp spoke the word,
and said that when the sun reached here,
on the wall,
we would move.

The women knew the word,
for them it was like a pod, they opened it
and looked in their minds at what it held.
They saw the south facing slopes;
there, green things grew, and the people fed,
it had always been so.
Soon the animals would pass, walking their old trails,
the females heavy with the young of the year.
It had always been so.
The women murmured together, gathering cords and skin bags.
Soon they would move; there was a word for the green place,
and when the time of sweet foods came
there would be a word for that too.
No one alive could remember when it had not been so.

       Walks With A Limp sat by the fire
       and the other men sat with him.
       As they came to know the world, they were frightened
       by its simplicity.
       Although many things had words, the words were not stones,
       the words were not throwing sticks.
       They spoke together of their fears.

       Tonight there was a new word.
       The men said that it was a thing that had come before,
       but we had not looked at it.
       Now it had a word and it would belong to the men;
       it was a stone word, a throwing stick word.
       They said the word, and with their fingers
       and red paint, made a mark on the wall
       where the sun must come.

The moving time came, and the greens eating time,
and the young of the year were dropped.
The fish came and the women splashed and laughed;
the days passed as they had always done.
The fire was only an eye in the night,
not a warming place.  The women spoke a word,
and helped one another to cut meat to lay in the sun,
and tested the milky grains with their teeth.
Slowly the grasses bent as they had always done.

       But the men sat more and more often by the fire,
       apart from the women.  Their word had not healed the fears,
       but had given them new words.  Everywhere they looked,
       they saw that the world needed a stone word.

       Tonight the women must hide.
       They must not touch the throwing sticks or the bone whistles.
       They must not look on the men,
       who shine in the firelight and shake their antlers.
       Tonight the men say the words that will make the bulls fat,
       and the grain swell; they shake rattles
       and say the words that will make the sun obey.

The does come heavy with young, and the kernels ripen
as they have always done.  The sun obeys.

But was there a time when the world in its simplicity
was not ruled by bargains between the men
and the gods they had shaped with their stone words?
Perhaps.  The women speak of such things sometimes, quietly,
when they talk of dreams, and the play of children.

Wednesday, March 26, 2014

Days Of Disappearance \ Out Like A


Nancy: Ryokan, in his hut on a mountain, knew snow and isolation.  We, in our cabin on a bay, live snow and wind not unlike his – two hundred years ago.



Days Of Disappearance
                                    My abode is/ in winter seclusion/ on this white mountain in Echigo./ 
                                    No trace of humans/ coming or going.


Whirling snow
our tracks disappear as we make them
uphill, downhill
drifts are boulders
boulders are drifts
no one comes
bay floods the path freezes
Ryokan uses fewer words
more art than language
asks ("who?”)
good fortune to live here
this cabin, this life
when Ryokan comes



Epigraph from Tanahashi Kazuaki, Sky Above, Great Wind: The Life and Poetry of Zen Master Ryokan (Shambala, 2012, p.150)



Alan: I wrote this last year.  Today, a blizzard bears down on us, bringing high winds and up to two feet of snow.  The crows that ride our skies are hiding.



Out Like A


Poor March!  Are you enraged
that winter’s over, and no big storms?
Does the notion of global warming
frost you?  Your lion chases
the frightened lamb to the end,
though last week they did lie down
together, peaceful as Quakers.
It was only a breather.  Now
every tree tosses its electric mane
and all the air in Canada
leaps on us, over the border,
with a roar.

Wednesday, March 19, 2014

Moonset \ Ryokan On The Grand Tour


Nancy: The sun is life, but the moon is dreams.  The moon is female; the sun is sharp but the moon – this moon – is gentle, this moon wrapped in a diaphanous shawl.



Moonset


clock and calendar
apogee, perigee
wax and wane

This morning the moon sets
one spruce to the south.
Sets into a thin scrim of cloud.
Floods the room with light.

last fullmoon of winter
first fullmoon of spring

Even as I watch, light
washing my face, the moon
slips to the south
into the spruce.

leaves me reaching
leaning
toward the sky
the invisible moon
in the sky



Alan:  What would a quiet monk from a remote rural province on the Sea of Japan have made of the decadent glories of contemporary Venice?  Would he be reminded, unexpectedly, of home?



Ryokan On The Grand Tour


At Murano he watches
bright tiny fish swim from glass rods
into crystal seas.
St. Mark’s gold cave all sainted dazzle,
piazza iridescent with pigeons.
Everything millefiori, clattering the eyeballs,
nothing like cool Echigo.
Viewing the Canalettos, their milky aqua skies,
he suddenly longs for Niigata Bay, its pale-green
ice at dawn.

Saturday, March 15, 2014

Myself – A Postcard \ Climbing March Hill #3


Nancy: Some postcards are maps of Maine with an arrow, “We are here.”  Some are more singular.  This is an “I am here.”



Myself – A Postcard


Gleaner, picker, digger, fisher,
sun-risen, sea bequeathed,
night haunted, haunter,
full-moon singer,
flower fed,
tide led,
wind released,
come to earth in search of healing,
needing, seeking, aching, owing,
borrows soaring,
rooting,
growing,
sends you seeing, sorrow, caring,
night songs, love songs,
runes,
and spells.



Alan: Again and again we struggle toward Spring, carrying memories like embers in clay, finding our way to warmth and light.



Climbing March Hill #3


Halfway up
     the trail grows muddy –
clouds sag in the trees –
     air turns dank.
Crows the only buoyancy
     in these dark woods.

Old path: familiar
     from so many years.
See?  How it’s worn?
     Traces of our steps –
our past journeys.

See?  Tracks of our friends –
     the dogs, the cats
who kept us company?
     I name them, one by one,
in my mind.  Call to them.
     Reach out a hand to touch.

Reach out an actual hand
     toward yours.

Thursday, March 6, 2014

Who Screams? \ He Encounters Wallace Stevens


Nancy: Night sounds, day sounds, life sounds and death sounds – one by one we learn the calls and enrich our sense of our wild neighbors.



Who Screams?


Who screams in the night?
Who takes the path we carved between the spruce
and pauses (where my body pressed the grass beneath the birch)

and screams again?

Who claws at sleep?
Who walks our path at night and screams –
up from the cove, and past our door down to the bay?

Who breathes, and who is still?
Who travels on the path,
and makes the night air taut with silences and screams?

Who sleeps?
Who waits?
Who walks tonight on paths we used today?
Who screams?



Alan: Poems, and the poets whose minds they carry, meet across time and space.  The quotations are from Stevens’ “Of Mere Being.”



He Encounters Wallace Stevens


Visiting his rich friend’s villa,
alone among porcelains, the Chinese classics,
Ryokan reads... “the palm at the end of the mind...,”
rushes out, lost all day
among Otogo’s cool pines and moss-damp slopes,
breathing “bronze decor,” breathing
“fire-fangled feathers,” stick and
begging bowl in the hall,
forgotten.