Wednesday, March 26, 2014

Days Of Disappearance \ Out Like A


Nancy: Ryokan, in his hut on a mountain, knew snow and isolation.  We, in our cabin on a bay, live snow and wind not unlike his – two hundred years ago.



Days Of Disappearance
                                    My abode is/ in winter seclusion/ on this white mountain in Echigo./ 
                                    No trace of humans/ coming or going.


Whirling snow
our tracks disappear as we make them
uphill, downhill
drifts are boulders
boulders are drifts
no one comes
bay floods the path freezes
Ryokan uses fewer words
more art than language
asks ("who?”)
good fortune to live here
this cabin, this life
when Ryokan comes



Epigraph from Tanahashi Kazuaki, Sky Above, Great Wind: The Life and Poetry of Zen Master Ryokan (Shambala, 2012, p.150)



Alan: I wrote this last year.  Today, a blizzard bears down on us, bringing high winds and up to two feet of snow.  The crows that ride our skies are hiding.



Out Like A


Poor March!  Are you enraged
that winter’s over, and no big storms?
Does the notion of global warming
frost you?  Your lion chases
the frightened lamb to the end,
though last week they did lie down
together, peaceful as Quakers.
It was only a breather.  Now
every tree tosses its electric mane
and all the air in Canada
leaps on us, over the border,
with a roar.

Wednesday, March 19, 2014

Moonset \ Ryokan On The Grand Tour


Nancy: The sun is life, but the moon is dreams.  The moon is female; the sun is sharp but the moon – this moon – is gentle, this moon wrapped in a diaphanous shawl.



Moonset


clock and calendar
apogee, perigee
wax and wane

This morning the moon sets
one spruce to the south.
Sets into a thin scrim of cloud.
Floods the room with light.

last fullmoon of winter
first fullmoon of spring

Even as I watch, light
washing my face, the moon
slips to the south
into the spruce.

leaves me reaching
leaning
toward the sky
the invisible moon
in the sky



Alan:  What would a quiet monk from a remote rural province on the Sea of Japan have made of the decadent glories of contemporary Venice?  Would he be reminded, unexpectedly, of home?



Ryokan On The Grand Tour


At Murano he watches
bright tiny fish swim from glass rods
into crystal seas.
St. Mark’s gold cave all sainted dazzle,
piazza iridescent with pigeons.
Everything millefiori, clattering the eyeballs,
nothing like cool Echigo.
Viewing the Canalettos, their milky aqua skies,
he suddenly longs for Niigata Bay, its pale-green
ice at dawn.

Saturday, March 15, 2014

Myself – A Postcard \ Climbing March Hill #3


Nancy: Some postcards are maps of Maine with an arrow, “We are here.”  Some are more singular.  This is an “I am here.”



Myself – A Postcard


Gleaner, picker, digger, fisher,
sun-risen, sea bequeathed,
night haunted, haunter,
full-moon singer,
flower fed,
tide led,
wind released,
come to earth in search of healing,
needing, seeking, aching, owing,
borrows soaring,
rooting,
growing,
sends you seeing, sorrow, caring,
night songs, love songs,
runes,
and spells.



Alan: Again and again we struggle toward Spring, carrying memories like embers in clay, finding our way to warmth and light.



Climbing March Hill #3


Halfway up
     the trail grows muddy –
clouds sag in the trees –
     air turns dank.
Crows the only buoyancy
     in these dark woods.

Old path: familiar
     from so many years.
See?  How it’s worn?
     Traces of our steps –
our past journeys.

See?  Tracks of our friends –
     the dogs, the cats
who kept us company?
     I name them, one by one,
in my mind.  Call to them.
     Reach out a hand to touch.

Reach out an actual hand
     toward yours.

Thursday, March 6, 2014

Who Screams? \ He Encounters Wallace Stevens


Nancy: Night sounds, day sounds, life sounds and death sounds – one by one we learn the calls and enrich our sense of our wild neighbors.



Who Screams?


Who screams in the night?
Who takes the path we carved between the spruce
and pauses (where my body pressed the grass beneath the birch)

and screams again?

Who claws at sleep?
Who walks our path at night and screams –
up from the cove, and past our door down to the bay?

Who breathes, and who is still?
Who travels on the path,
and makes the night air taut with silences and screams?

Who sleeps?
Who waits?
Who walks tonight on paths we used today?
Who screams?



Alan: Poems, and the poets whose minds they carry, meet across time and space.  The quotations are from Stevens’ “Of Mere Being.”



He Encounters Wallace Stevens


Visiting his rich friend’s villa,
alone among porcelains, the Chinese classics,
Ryokan reads... “the palm at the end of the mind...,”
rushes out, lost all day
among Otogo’s cool pines and moss-damp slopes,
breathing “bronze decor,” breathing
“fire-fangled feathers,” stick and
begging bowl in the hall,
forgotten.

Wednesday, February 26, 2014

Back, Then Down \ Junk Store Treasure


Alan: Sitting still, centering... one of those times when everything comes into focus.



Back, Then Down


Sent back to wait for her in the woods,
he became alone as happens too seldom.
The others disappeared, even their voices.
He caught his breath sitting at the trailhead,
and as the sweat dried his senses moved outward again
from his own running.

Why had they arranged themselves so,
this place, these objects?
these lichens, mosses, stumps and trunks of trees,
moist and sharp smells,
sounds of the sky changing around them?
As if they so welcomed him, in assemblage,
that he could set roots here, or they in him.

After a time,
he went down.  At camp
he found her boots, laced from the rocker,
pulling from shadow toward the pooled sun
the way bare feet arch over water



Nancy:  Save, salvage, re-use – my sickle, made of a ground down scythe blade and a branch with a nice curve, the trivet an old stove lid, the eel spear a clam fork broken and re-shaped... so many mended, re-worked and re-purposed tools.



Junk Store Treasure


Shards of your life,
almost as strange to us
as burins
gravers
rough shaped flints.

I like the tools best.
Iron.  Pitted.
Shaped for tasks we have forgotten.
Handles all organic curves
as if you saw them growing –
said –
“See how my thumb will lie on here.”

The rest a clutter:
you sought comfort,
style,
as much as we.

Found beauty in your tasks,
your tools.

Wednesday, February 19, 2014

Reversing Falls \ Yesterday One Of My Constituents Ate My Pillow


Alan: A mandala, a sacrifice, an emptying-out world: what I see from our place by the bay.



Reversing Falls


Tonight, the sun sets and a full moon rises
over this circle of bay and sky,
a charmed see-sawing of light and shade,
warming and chilling the settled air
of February’s soft, false spring.
Beyond stone fields and spiky woods,
the chuckle of ducks, the hoo of courting owls,
three miles over water and islands as the crow flies,
thirty by road, at the audible edge of the world,
the Reversing Falls grind their teeth on the ebbing tide.

                  In my dream this is Jambudvipa, Rose-apple Island,
                  where all is ancient, empty, ready,
                  proceeding as it should.

The land remains unbroken.  It swallows plowshares, spits out people.
The sea takes on all comers, has never lost yet.
The ghosts of farms hide in the stones.
The fisher-folk call in the fog with the voices of gulls.
To the east, a ridge.  Beyond,
memory of a house or two, a town.
A sense of truck bodies, power lines, water tanks,
poised like spears.
I turn and shout, they vanish.

                  You dream they are shooting
                  the house cats and you are crying.
                  You dream the bears have gone north
                  and you release the hummingbirds over all the world.

A plane makes passes, casual, low over the cabin.
Who could own such a thing in this land of make-ends-meet?
In the cities we are deep-water ports, refineries and dams,
a naval base, a nuclear powerplant,
the edge of so many targets,
the part that gets hit by mistake.

                  “Where are the cats, the bears and owls all going?
                  Why can we not talk to the animals?”
                  This is the Kali-yuga, where all is swallowed
                  and made nil.
                  They are going to Reversing Falls.
                  They are dropping through the bottom of the world.

The moon is high.
Let us prepare a shrine,
cloudy with baby’s-breath, chrysanthemum,
alive as galaxies with light.
We chant and sit while an ocean of love
claims us and all horizons vanish.

                  I dream this is Sukhavati, the Pure Land,
                  that the land is flowering, the tide has changed
                  and the bears have come back singing
                  and with gifts.



Nancy:  A summer in a tent by a pond, where my neighbors croaked their “knee-deep” all night long, some comfort-seeking visitor took advantage of me.



Yesterday One Of My Constituents Ate My Pillow
                                  “You mean there’s a Senator for all this?” – said by a visitor to the Sierras.

It seemed a hard cut,
after all, hadn’t I
(it didn’t matter that I was never elected
but came self-appointed, and after all
didn’t Gary Snyder sanction it, and he
a Published Poet?)
hadn’t I spent my energies in their cause?
Miles of poems, probably –
and not one touching on bureaucrats,
modern science, technology,
or even (well, hardly ever) affairs of the heart.
No.  I spoke for the voiceless ones,
always affirming that they had souls
and deserved our respect.
Life is precarious.  I hoped that even a poet
(lower case, never assuming to be a Spokesperson)
might make unexpected gifts.

Shreds.
Gone for bedding, no doubt,
lining all those tunnels under the groundcloth
where by night I’ve felt the earth tremble.
Forging Bonds of Empathy, I thought,
squinting a little and trying to ignore the thumping.
Well, there it is.  I wasn’t expecting praise –
as an audience they remained noncommittal (not
that I expected to find Poet or Senator scrawled on the walls) –
but empathy ought to be a two-way street
and even a lower case poet needs a little comfort.

                                        .     .     . 

I heard an owl last night (empty tunnels!)
(where are the dispossessed?); quickly thought, “well,
that’s Nature’s Way.”
(It’s not as though anyone elected me to take sides.)



“Reversing Falls” first appeared in Slow Dancer magazine.

Wednesday, February 12, 2014

Nagano \ Backroads Beauty


Alan: With the Sochi Olympics underway this week, it’s time to remember the Nagano Winter Olympics of 1998, in which the Zen poet Ryokan, who transcends time and space, played a crucial if unacknowledged part.



Nagano


The good people of Nagano
have raised the gates.
To rhythmic chants, a thousand villagers
rope skyward eight two-ton pillars,
hewings of the local forest.
Through these paired uprights, from the four directions,
Sumo wrestlers, men-mountains, five-hundred-pounders,
process at a stately waddle, bare
but for loincloths, massive bodies
symbols of cleanliness and strength.
Banish all demons!  Purify the earth!
Grand Champion Akebono
in the middle of the bullseyed drum,
raises his leg, thick as a treetrunk, then
thumps it down, thunderous, to a massed shout!

But what is this?
An uneasy murmur in the crowd.  A strange
disturbance of atmosphere, faltering of ritual
in the face of so much hoopla, so many contrary nations.
A milling about of officials.
A making of smalltalk by sportscasters.
A beaming worldwide of perplexity, dead air.

Finally: agreement.
Ryokan is helped from his seat.
Frail now, at two hundred forty years,
he makes his way, supported by each arm, to the center of the ring,
stands, a tiny robed figure, unmoving –
all grows silent, the wrestlers
pensive on their vast haunches – the minutes flow on –
at last, he lifts his stick
one inch, three, six,
taps it down soundlessly – nods.
The demons are gone.  It is done.

Let the games begin!



Nancy: The house has never seen paint.  The truck sagging into the mud may never run again.  But the geraniums are bright, and there are morning glories on a post by the door.



Backroads Beauty


We ask green things to stand for us
against reality.
Those plants, lined up along the sill,
defy the snow,
and steal the meager winter light,
and grow.
And gardens live in tins
and tires,
to bloom against unpainted walls,
to shut out heat,
and dust;
to fight defeat.
And will they stand for us when we are gone –
a flower in the woods,
a tree,
a shadow on the wall –
become reality?